On Sunday, GF & I had a rather lame adventure getting to the Pride Race. We'd planned to bus it, because parking uptown during Pride is hideous. The #7 bus never came, so we drove & parked near the start of the race (see? that wasn't much of an adventure). There were many more runners than last year, so I guess their advertising paid off. It was hot (80), the sun was blazing down, but there were tons of people yelling and cheering (and heckling, but I didn't hear that cuz I was rocking out to Russian pop) at this year's Pride Race. It was a 4k this time, which is a distance I've never actually run as a race (automatic PR!). I wasn't entirely sure whether the distance was 4k or 5k until I got to the corner where we turn into the park. Sure enough, 4k! The clock said 18:xx as I ran past, but I stopped my watch at 19:33, so that's what I'm going with. I experimented with using the inhaler before the race and although I felt weird and jumpy for the first mile or so, I didn't cough up a lung afterward.
We watched a little of the parade and saw GF's coworker wearing his Pride duds. I was tired of standing, so we walked, originally intending to find the bus back to my car. We ended up taking a detour to Brit's and had some beer and snacks before finding the bus and heading back to the relative calm of South Minneapolis.
After a way too short nap, it was back to uptown to see Aelita: Queen of Mars at the Walker. Here is what they had to say about it:
Wrought with subtle erotic tensions and national predilections of the
moment, the Martian adventure is known for its incredible leaps of
fantasy running parallel to documentary-style depictions of 1920s
Moscow. Love crosses light years in this popular Russian classic,
presented in a rare 35mm print from the Walker’s Ruben/Bentson Film and
Video Collection. Composer Dennis James returns to the Walker with collaborator Mark Goldstein, known as the Filmharmonia Duo, performing with unusual historical instruments—including a theatrical organ and a theremin—to accurately capture the essence of the unique film for this rare event.
We thought it was just plain cool. The live music was especially good. When the film had an unscheduled stop just over halfway through, the organist talked about creating the score and how a theramin works. You can watch it, if you're interested, on youtube (but you'll miss the awesome live music). The shots of Moscow in the 1920s are amazing.


